Image for The Pulitzer Centennial
Wynton Marsalis plays excerpts from “Blood on the Fields” during the Nieman Foundation for Journalism’s centennial celebration of The Pulitzer Prizes on Sept. 10, 2016 at Harvard’s Sanders Theatre. The epic oratorio is about one couple’s journey from slavery to freedom — the first jazz composition to win the Pulitzer. Lisa Abitbol

The Pulitzer Centennial

Power: Accountability and Abuse

September 10 – 11, 2016

The Nieman Foundation for Journalism at Harvard is honored to have hosted the capstone marquee event for The Pulitzer Prizes’ year-long Centennial Celebration in 2016.

Pulitzer Prize-winning journalists, composers, authors, poets and playwrights convened at Harvard on September 10th and 11th to debate, discuss — and perform — the theme “Power: Abuse and Accountability.”

Harvard University President Drew Gilpin Faust opened the weekend Sept. 10 with an introduction of Pulitzer Prize winner and world-renowned jazz pioneer Wynton Marsalis. She reflected on how Marsalis uses music to advance national conversations on critical issues.

“Through the lens of music, he brought us a portrait of our nation itself: of the rhythms of our national identity, of differences and common ground, of democracy, life, liberty and the pursuit of happiness,” Faust said during her introduction of Marsalis. “But he does not let us forget that America also has – in his words – a bloodstained and painful past. Yet these terrible realities, he reminds us, have paradoxically been the source of much of our nation’s finest art and creativity.”

Faust added that the Pulitzer Prize has been “devoted to the power and importance of our national conversation as well; to lifting up creative expressions of journalism, fiction and non-fiction, drama and music. In honoring the best of America, the Pulitzer Prizes embrace the same optimism that Wynton defines as the heart of human possibility and music’s possibility.”

Marsalis reflected on the themes raised by “Blood on the Fields,” his epic oratorio of one couple’s journey from slavery to freedom — the first jazz composition to win the Pulitzer. He interspersed musical performances with his quintet to reflecting on themes including the power of jazz, blues and other musical forms to mirror America’s diversity with its amalgam of influences.

The Marsalis event at Harvard’s historic Sanders Theatre was followed on Sept. 11, 2016, by a day-long program of Pulitzer winners engaged in conversation, storytelling and performances that highlight the work of those who give voice to the powerless and hold the powerful to account.

Among them, playwright Lynn Nottage presented a scene from her Pulitzer Prize-winning play ‘Ruined’ about a brothel keeper in the Democratic Republic of Congo; author Junot Díaz read from his novel about a Dominican-American teenager coming of age in a multi-generational immigrant family; and legendary Washington Post reporter Bob Woodward engaged in a lively debate with Laura Poitras — who was part of a team that won a Pulitzer for stories revealing widespread secret surveillance by the National Security Agency — and New York Times Executive Editor Dean Baquet about the journalist’s role in holding those in power accountable.

The Nieman celebration was the final of four signature events nationwide in 2016 honoring the Pulitzers’ Centennial.

The other events focusing on Pulitzer Prize-winning work are:

  • “Civil Rights, Social Equality and Democracy” at The Poynter Institute, St. Petersburg, Fla., March 31- April 1
  • “War, Migration and the Quest for Peace” hosted by  the Los Angels Times and USC Annenberg School for Communications and Journalism, May 19-20
  • “The People, the Presidency and the Press” sponsored by The The Dallas Morning News and Texas’ three presidential libraries, June 2-3

Videos

Opening Night: Introductions

https://www.youtube.com/watch?v=iJhvjLbW75Y
Harvard University President Drew Gilpin Faust opens with an introduction of Pulitzer Prize winner Wynton Marsalis

Act I: Power in the Home

https://www.youtube.com/watch?v=G-Nvny3but4
Annette Gordon-Reed became a lawyer to effect social change, but in researching and writing“The Hemingses of Monticello: An American Family” she changed history
https://www.youtube.com/watch?v=KLz-KrsrsoE
Maria Henson on what her 1991 series of investigative editorials on domestic violence, “To Have and To Harm,” taught her about the power of crusading journalism
https://www.youtube.com/watch?v=tZ_wsOn_vaw
Danielle Allen talks with Sara Ganim and Sacha Pfeiffer about what it’s like to report on intimate crimes and to make those stories public in ways that are sensitive to victims and create social impact
https://www.youtube.com/watch?v=OUxTzq7J1_c
Wesley Lowery reflects on what covering racial unrest in Ferguson, Mo. taught him about his childhood growing up in a biracial home
https://www.youtube.com/watch?v=iUSgPoezOxw
Junot Díaz reads from “The Brief Wondrous Life of Oscar Wao” exploring power relationships within a single family and within a nation under dictatorial rule

Act II: Power in the Nation

https://www.youtube.com/watch?v=iLb6zpWKoGQ
Robert Caro recalls the incident, when he was working on “The Power Broker,” that made him realize that in writing about power, he would have to do so through the lens of the powerless
https://www.youtube.com/watch?v=kjtwrVIiZn0
Donald Graham reads a passage from “Personal History,” the Pulitzer-winning autobiography by his mother, Katharine Graham, about her decision while publisher of The Washington Post to publish the Pentagon Papers
https://www.youtube.com/watch?v=vx9YYeUJvWc
Dean Baquet talks with Laura Poitras and Bob Woodward about their work to expose two of the most stunning abuses of government power in American history
https://www.youtube.com/watch?v=LR6H77dM5F0
A videotaped conversation with “Hamilton” writer and star Lin-Manuel Miranda about finding your voice as a writer and the role of the playwright in addressing history

Act III: Power in the World

https://www.youtube.com/watch?v=0PjbNYrx-9o
Stan Grossfeld reflects on how pictures he took in the mid-1980s in rebel-held Ethiopia and war-torn Lebanon did—and didn’t—make a difference
https://www.youtube.com/watch?v=jDy57RmvBgY
Mark Fiore reflects on his unorthodox path to a career as a political cartoonist — and the power of satirical animation to spark social change
https://www.youtube.com/watch?v=tfkUfbeusfo
Caroline Elkins talks with Joby Warrick and Lawrence Wright about state-sponsored oppression and the rise of stateless terrorist organizations like ISIS and al-Qaeda
https://www.youtube.com/watch?v=V8eNazypov0
Yusef Komunyakaa reads “Thanks,” a meditation on how the natural world can ameliorate the pain of human conflict
https://www.youtube.com/watch?v=D9J5kWAqq0M
Lynn Nottage introduces a scene from “Ruined,” about women and girls trying to survive civil war in the Congo. Performed by Erin Washington and Me’Lisa Sellers.