Explore Harvard's Nieman network
Nieman Fellowships
Nieman Lab
Nieman Reports
Nieman Storyboard
The Nieman Foundation for Journalism at Harvard
Nieman Reports Homepage
Current Issue
Archive
Professors Corner
About Us
Subscribe
Nieman Foundation for Journalism at Harvard: Nieman Reports
Search
Twitter
Facebook
Professor's Corner
|
About
TEACHING TOOLS
Hacker Chronicles
J-School Partnerships: Engaging Students in Producing News
The Elements of Journalism
Visual Journalism
What's Next? Mapping Journalism's Future
Investigative Journalism: Being a Watchdog, Getting Paid
Climate Change: Objectivity vs. Scientific Accuracy
Journalism and Trauma
Journalists: Risks, Courage and Performance
View Archive ยป
TEACHING GLIMPSES
Michael J. Jordan
Foreign Reporting
Sue Burzynski Bullard
Digital Media
Gerald B. Jordan
Newsroom Lessons
Jeremy Gilbert
Hacker Chronicles
Jacqueline Marino
Hacker Chronicles
Robert Gutsche Jr.
J-School Partnerships
Christofer Machniak
A Rookie Teacher's Journey
Elizabeth Mehren
Literary Journalism
Print
Share
Facebook
reddit
StumbleUpon
Twitter
Email to a friend
Writing the Book
For many students, the allure of journalism has always been writing. Sure, plenty may come to love reporting and the thrill of deadlines, but it’s a good bet that most j-school dreams involve becoming a big-name author, not a grizzled beat reporter. In the
Winter issue
of Nieman Reports, journalists who have written books share their experiences. From tips about memoirs and lessons from a veteran writing coach to an exploration of new business models, there’s plenty within to engage students.
Starting as a Journalist, Ending as a Memoirist
When
Lucette Lagnado
started working on a memoir about her family leaving Egypt for America, she wanted to use the skills she honed as a reporter for The Wall Street Journal. She wanted the book to be “bulletproof,” a fully sourced and fact-checked story about her own life. Along the way, she realized that wasn’t possible. What she needed was to tell the story through the eyes of her 6-year-old self, “Loulou.”
PLUS: Northwestern University professor
Michele Weldon
shares 10 tips for journalists writing memoirs.
Narrative Writing: Craft to Ethics, Theme to Characters
Jack Hart’s “Storycraft: The Complete Guide to Writing Narrative Nonfiction” is recommended in this review by
Beth Macy
, who assigned the book in a literary journalism course she taught. Hart is a former managing editor and longtime writing coach at The Oregonian. Macy, a reporter for The Roanoke (Va.) Times, praises Hart for sharing his accumulated wisdom and the “stories behind the stories” he edited.
PLUS: In the Fall 2000 issue of Nieman Reports, The Oregonian’s
Richard Read
wrote about his Pulitzer Prize-winning piece “
The French Fry Connection
” edited by Hart.
It’s a Long Article. It’s a Short Book. No, It’s a Byliner E-Book.
The current generation of college students will have more and more nontraditional publishing options. Help them get a head start with this article by
John Tayman
, CEO of
Byliner
. His start-up publishes e-books at the “financially awkward length” between long magazine articles and short books while its website aggregates work by some of the best nonfiction writers in the business.
PLUS: Read an excerpt from
Ann Patchett
’s Byliner Original “The Getaway Car,” about her ways of dealing with writer’s block.