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Summer 1998
Photojournalism
Introduction
By Robert H. Phelps, Editor
Changing With the Times
By Vincent Alabiso
AP’s Policy Banning Photo Manipulation
Hard Times Abroad
By Otto Pohl
The Best Picture I Never Took
By David Turnley
Trials With Editors
Get the Picture
By John G. Morris
The Web Waits for the Photographer, Too
By Fred Ritchin
The Best Picture I Never Took
By Stan Grossfeld
Roy DeCarava Retrospective
By Lester Sloan
The Best Picture I Never Took
By Steve Northup
Feminine Touch
By Mary Lou Foy
The Best Picture I Never Took
By Stanley Forman
The Role of the Picture Editor
By John Loengard
The Best Picture I Never Took
By Frank Van Riper
Inner Eye
By Bill Kuykendall
Honest Emotion
By Torsten Kjellstrand
Interaction
By Mary Beth Meehan
People Without People
By Alan Berner
Pictures Dominate, Words Come Second
By Sherry Jones
‘Secret’ Behind TV Station’s Photos
By Manny Sotelo
Photo Essays
Micha Bar-Am
Stanley Forman
Stan Grossfeld
Michele McDonald
Steve Northup
Eli Reed
Nancy Rhoda
Lester Sloan
David Turnley
Frank Van Riper
Watchdog Journalism
Introduction
By Robert H. Phelps, Editor
How to Keep the Watchdogs Watching
By Julia Keller
CNN’s Tightened Check On News Breaks
By Eason Jordan
The Journalist's Trade
How VOA Reported Sex Charges
By Mark B. Lewis
Legacy of Diana and the British Press
By Peter Almond
Dramatizing a Story Through ‘High Density’
By David Halberstam
Progress by Washington Post Copyeditors: 1996
By Philip M. Foisie
Progress by Washington Post Copyeditors: 1997
By Geneva Overholser
Technology
On-line Profits From News Must Wait
By Tom Regan
Curator's Corner
The Daily Work of the Media
By Bill Kovach
Letters to the Editor
Tobacco and the American Civil Liberties Union
Indians Left Out
Books
Cloning, a Great Story, but Know What You Are Writing
By Harold M. Schmeck, Jr.
Questioning the Press’s Adversarial Tone
By Molly Marsh
Scoop Artist Who Isn’t a Journalist
By Robert Lenzner
A Newsman’s Style as Envoy in Africa
By Wilson Wanene
Who Knows Better—Critics or the People?
By Lois Fiore
Nieman Notes
From Tiananmen To Harvard Square
By Philip Cunningham
Carole Kneeland—Model of Excellence
By Valerie Hyman
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Lester Sloan
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These photos are of men who attended the Million Man March on Washington in 1995. The event was defined by the media in terms of numbers, but to me it was as much about individuals and singular acts of rededication to self and family. And, despite what others said, it was more about the message than the messenger.
Ancestral Eyes
Unity
Sister, Sister
Dawn of a New Era
The Pride
The Elder
Lester Sloan, a 1976 Nieman Fellow, is a freelance photjournalist living in Los Angeles.
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